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Walkthrough[edit]

Becoming The One

Subway Brawl
It's now time to re-enact another classic scene from the movie. You'll be battling Agent Smith in the subway. Unfortunately, you're not at the point where you can just waste him with melee moves, so you'll have to try to get him slammed by an oncoming subway. With that in mind, take the battle to the subway tracks right away and keep him busy with some evades and special attacks in focus. Every so often an announcement will be made that there's a train coming. Try to get a combo started right as this message comes on, so that Smith will be stunned as the train comes down the track. Also, it's a good idea to jump out of the way before it slams into you as well. This may take a few times to pull off, but stick to it. A good special move to use is the killing blow which can be pulled off relatively quickly and will send him flying for a few precious seconds.

Run!
After you beat him, he'll knock you through the wall and into another part of the subway. You'll now have to run away from him. Manmadhan theme music starmusiq. Go straight ahead and through the door to your right. Eventually the ground will fall out beneath you and you'll see a homeless guy behind some bars. Smith will eventually possess him, so just run in the opposite direction right away. Eventually you'll hit a cut screen where you'll fall through a large black hole and into the next part of this level.

All Aboard
You'll now find yourself in a part of the subway where the rules of the matrix are a bit fuzzy. Head straight and around the bend to find some tokens floating in the air. Press the action button to pick one up then head down and wait for the train car to arrive. Once you get on, head over to the conductor and talk with him. He'll tell you to go through the back door to reach the phone. Once you do this, the car will be rotated on its side. Cross the car anyway. You'll then be in a car with a bunch of disappearing and reappearing platforms. The easiest way to clear this part is to just go into focus mode and do a wall run and then double jump off the end, avoiding the platforms altogether. When you get into the next room, hold focus and run to the phone at the end of it. If you don't hold focus here, the room will just expand and expand.

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Balboa
After talking to the Operator you'll need to head to the emergency brake cord in the upside down car. Head back to the car that was on it's side. You'll now notice it's upside down. Head in and out of it two more times until it's right side up. Head to the glowing red box and wait until the conductor yells out 'Balboa Stop' then press the action button. Once you get off, head up the stairs straight ahead. Three SWAT will head down the steps to greet you. Weapon strip one of them and then use that gun to blast the other two away.

Take It To the Streets
Once you get up to the top, head through the black double doors on the left. Through there, you'll meet up with Agent Smith along with a crack team of SWAT and riot cops. Weapon strip as many as possible right away, then hang back by the pillars and blast away from their cover, letting them approach you. Pay attention because a couple of them will drop health packs after you kill them.

After a few waves, Smith will come down and attack you himself. Although not necessary this time, using the strategy you used before to get him hit by a passing train will delay him considerably. Basically, in this part of the mission, you'll just have to stay alive until the flatbed freight train cars start arriving. However, you'll still have to hold off waves of troops while fighting Smith, so it's a good idea to get keep him otherwise occupied as much as possible. As soon as you see a freight train go by on the tracks to the left of the starting point, hop on the flatbed part of it, which will take you to street level.

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Someone Needs An Exit
Once you hit street level, head straight ahead and veer left after the garbage truck. Use focus evades while running to keep from getting hit by too many bullets. Head through the market, but be sure to pick up the health pack and briefcase that appear in the left hand corner (behind the stands) before advancing. Hang a left and head through the alley. When the truck tries to box you in, jump over the wooden crates to the right of it. You'll then see a glowing red sign that says NEO. Head through the first door on your right underneath the sign.

Once you're through the door, go up to the top floor and then follow the long hallways until you see a woman coming out of her apartment to the left. Go through her pad and crash through the glass windows ahead, then jump over the balcony into the alley below..then keep on runnin'. Veer right, then head up the metal fire-escape stairs to until you get to the top floor where part of it will collapse. Do a wall run over the gap, then head through the door on the right side of this wall.

The One
Following a brief cut scene, Neo finally realizes that he is The One. After you become the one, you learn the bullet stop ability which you can also use to hurl bullets back at the shooters. The agents will still be able to dodge them at this point however, so you'll have to take them on hand-to-hand. Fortunately, you're now powerful enough to ace them. Try to take on two at once and you'll be able to link special attacks on both of them. As they lose energy, they'll morph back into cops; take them out right away so that they can't morph back into their bodies. Also, be careful as you walk down hallways trying to escape them because they'll crash through the walls at you. Use the focus evade to dodge to the side as they throw a punch, then strike a few times to set up a combo and you should be able to take them out relatively quickly.

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After you kill them all, you'll have to take on Smith again one last time (for now). He's no more difficult than before, so this shouldn't be too bad. Just make sure he doesn't start shooting you by staying close to him so that he'll always be in hand-to-hand mode. After defeating Smith, you'll complete the mission. It is now time to show the Matrix head honchos what's what.

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